The following is the list of 50 films I submitted to the nominations webpage for the 2025 selections. I’ve replaced eight of my 2024 choices.
- THE ANNIHILATION OF FISH (Charles Burnett, 1999)
- THE APPOINTMENTS OF DENNIS JENNINGS (Dean Parisot, 1988)
- THE ARGYLE SECRETS (Cy Endfield, 1948)
- BANANAS (Woody Allen, 1971)
- BEAVER TRILOGY (Trent Harris, 2000)
- BEFORE SUNRISE (Richard Linklater, 1994)
- BEST BOY (Ira Wohl, 1979)
- THE BLAIR WITCH PROJECT (Daniel Myrick & Eduardo Sánchez, 1999)
- BLUE COLLAR (Paul Shrader, 1978)
- BOOGIE NIGHTS (Paul Thomas Anderson, 1997)
- BOOMERANG (Reginald Hudlin, 1992)
- BRAZIL (Terry Gilliam, 1985)
- BUSHMAN (David Schickele, 1971)
- BUT I’M A CHEERLEADER (Jamie Babbit, 1999)
- THE BROTHER FROM ANOTHER PLANET (John Sayles, 1980)
- CAPTAINS COURAGEOUS (Victor Fleming, 1937)
- CHAMELEON STREET (Wendell B. Harris, 1990)
- THE COUGH (Teddy Dibble, 1981)
- CRUMB (Terry Zwigoff, 1994)
- DEAD MAN (Jim Jarmusch, 1995)
- DESIGN FOR LIVING (Ernst Lubitsch, 1933)
- FILM (Alan Schneider, 1965)
- FINDING NEMO (Andre Stanton & Lee Unkrich, 2003)
- THE 5000 FINGERS OF DR. T (Roy Rowland, 1953)
- GLEN OR GLENDA (Ed Wood, 1953)
- HANGIN’ WITH THE HOMEBOYS (Joseph B. Vasquez, 1991)
- THE HELLSTROM CHRONICLE (Walon Green, 1971)
- HOUSE OF GAMES (David Mamet, 1987)
- HOUSEKEEPING (Bill Forsyth, 1987)
- THE KILLING (Stanley Kubrick, 1956)
- THE KING OF COMEDY (Martin Scorsese, 1983)
- LOST IN TRANSLATION (Sofia Coppola, 2003)
- ME AND YOU AND EVERYONE WE KNOW (Miranda July, 2005)
- MIKEY AND NICKY (Elaine May, 1976)
- MODERN ROMANCE (Albert Brooks, 1981)
- MULHOLLAND DRIVE (David Lynch, 2001)
- PARIS, TEXAS (Wim Wenders, 1984)
- PETULIA (Richard Lester, 1968)
- PLEASANTVILLE (Garry Ross, 1998)
- PUMP UP THE VOLUME (Allan Moyle, 1990)
- REPO MAN (Alex Cox, 1984)
- SAY AMEN, SOMEBODY (George T. Nierbenberg, 1982)
- SEVEN CHANCES (Buster Keaton, 1925)
- SPRING NIGHT SUMMER NIGHT (Joseph L. Anderson, 1967)
- SUNSHINE DAYDREAM (John Norris, 2013)
- UNSPOKEN CONVERSATION (Iman Uqdah Hameen, 1987)
- WINTER SOLDIER (Winterfilm Collective, 1971)
- WISE BLOOD (John Huston, 1979)
- THE WORLD’S GREATEST SINNER (Timothy Carey, 1962)
- ZORN’S LEMMA (Hollis Frampton, 1970)
The following is the list of 50 films I submitted to the nominations webpage for the 2024 selections. I’ve replaced one of my 2023 choices.
- THE APPOINTMENTS OF DENNIS JENNINGS (Dean Parisot, 1988)
- THE ARGYLE SECRETS (Cy Endfield, 1948)
- BANANAS (Woody Allen, 1971)
- BEAVER TRILOGY (Trent Harris, 2000)
- BEFORE SUNRISE (Richard Linklater, 1994)
- BEST BOY (Ira Wohl, 1979)
- BIGGER THAN LIFE (Nicholas Ray, 1955)
- BLUE COLLAR (Paul Shrader, 1978)
- BLUE VELVET (David Lynch, 1986)
- BOOGIE NIGHTS (Paul Thomas Anderson, 1997)
- BOOMERANG (Reginald Hudlin, 1992)
- BRAZIL (Terry Gilliam, 1985)
- BREWSTER McCLOUD (Robert Altman, 1970)
- BUT I’M A CHEERLEADER (Jamie Babbit, 1999)
- THE BROTHER FROM ANOTHER PLANET (John Sayles, 1980)
- CAPTAINS COURAGEOUS (Victor Fleming, 1937)
- THE COUGH (Teddy Dibble, 1981)
- CRUMB (Terry Zwigoff, 1994)
- DEAD MAN (Jim Jarmusch, 1995)
- DESIGN FOR LIVING (Ernst Lubitsch, 1933)
- FILM (Alan Schneider, 1965)
- THE 5000 FINGERS OF DR. T (Roy Rowland, 1953)
- GENTLEMEN PREFER BLONDES (Howard Hawks, 1953)
- GLEN OR GLENDA (Ed Wood, 1953)
- HANGIN’ WITH THE HOMEBOYS (Joseph B. Vasquez, 1991)
- THE HELLSTROM CHRONICLE (Walon Green, 1971)
- HOUSE OF GAMES (David Mamet, 1987)
- HOUSEKEEPING (Bill Forsyth, 1987)
- THE KILLING (Stanley Kubrick, 1956)
- THE KING OF COMEDY (Martin Scorsese, 1983)
- LOST IN TRANSLATION (Sofia Coppola, 2003)
- ME AND YOU AND EVERYONE WE KNOW (Miranda July, 2005)
- MIKEY AND NICKY (Elaine May, 1976)
- MODERN ROMANCE (Albert Brooks, 1981)
- PARENTHOOD (Ron Howard, 1989)
- PARIS, TEXAS (Wim Wenders, 1984)
- PETULIA (Richard Lester, 1968)
- PLEASANTVILLE (Garry Ross, 1998)
- PUMP UP THE VOLUME (Allan Moyle, 1990)
- REPO MAN (Alex Cox, 1984)
- ROPE (Alfred Hitchcock, 1948)
- SAVED! (Brian Dannelly, 2004)
- SAY AMEN, SOMEBODY (George T. Nierbenberg, 1982)
- SEVEN CHANCES (Buster Keaton, 1925)
- SILVER LININGS PLAYBOOK (David O. Russell, 2012)
- SPRING NIGHT SUMMER NIGHT (Joseph L. Anderson, 1967)
- SUNSHINE DAYDREAM (John Norris, 2013)
- WISE BLOOD (John Huston, 1979)
- THE WORLD’S GREATEST SINNER (Timothy Carey, 1962)
- ZORN’S LEMMA (Hollis Frampton, 1970)
The following is the list of 50 films I submitted to the nominations webpage for the 2023 selections. I’ve replaced four of my 2022 choices.
- THE APPOINTMENTS OF DENNIS JENNINGS (Dean Parisot, 1988)
- THE ARGYLE SECRETS (Cy Endfield, 1948)
- BANANAS (Woody Allen, 1971)
- BEAVER TRILOGY (Trent Harris, 2000)
- BEFORE SUNRISE (Richard Linklater, 1994)
- BEST BOY (Ira Wohl, 1979)
- BIGGER THAN LIFE (Nicholas Ray, 1955)
- BLUE COLLAR (Paul Shrader, 1978)
- BLUE VELVET (David Lynch, 1986)
- BOOGIE NIGHTS (Paul Thomas Anderson, 1997)
- BOOMERANG (Reginald Hudlin, 1992)
- BRAZIL (Terry Gilliam, 1985)
- BREWSTER McCLOUD (Robert Altman, 1970)
- BUT I’M A CHEERLEADER (Jamie Babbit, 1999)
- THE BROTHER FROM ANOTHER PLANET (John Sayles, 1980)
- CAPTAINS COURAGEOUS (Victor Fleming, 1937)
- CRUMB (Terry Zwigoff, 1994)
- DEAD MAN (Jim Jarmusch, 1995)
- DESIGN FOR LIVING (Ernst Lubitsch, 1933)
- FILM (Alan Schneider, 1965)
- THE 5000 FINGERS OF DR. T (Roy Rowland, 1953)
- GENTLEMEN PREFER BLONDES (Howard Hawks, 1953)
- GLEN OR GLENDA (Ed Wood, 1953)
- HANGIN’ WITH THE HOMEBOYS (Joseph B. Vasquez, 1991)
- THE HELLSTROM CHRONICLE (Walon Green, 1971)
- HOUSE OF GAMES (David Mamet, 1987)
- HOUSEKEEPING (Bill Forsyth, 1987)
- THE KILLING (Stanley Kubrick, 1956)
- THE KING OF COMEDY (Martin Scorsese, 1983)
- LOST IN TRANSLATION (Sofia Coppola, 2003)
- ME AND YOU AND EVERYONE WE KNOW (Miranda July, 2005)
- MIKEY AND NICKY (Elaine May, 1976)
- MODERN ROMANCE (Albert Brooks, 1981)
- PARENTHOOD (Ron Howard, 1989)
- PARIS, TEXAS (Wim Wenders, 1984)
- PETULIA (Richard Lester, 1968)
- PLEASANTVILLE (Garry Ross, 1998)
- PUMP UP THE VOLUME (Allan Moyle, 1990)
- REPO MAN (Alex Cox, 1984)
- ROPE (Alfred Hitchcock, 1948)
- SAVED! (Brian Dannelly, 2004)
- SAY AMEN, SOMEBODY (George T. Nierbenberg, 1982)
- SEVEN CHANCES (Buster Keaton, 1925)
- SILVER LININGS PLAYBOOK (David O. Russell, 2012)
- SPRING NIGHT SUMMER NIGHT (Joseph L. Anderson, 1967)
- SUNSHINE DAYDREAM (John Norris, 2013)
- TARGETS (Peter Bogdanovich, 1968)
- WISE BLOOD (John Huston, 1979)
- THE WORLD’S GREATEST SINNER (Timothy Carey, 1962)
- ZORN’S LEMMA (Hollis Frampton, 1970)
The following is the list of 50 films I submitted to the nominations webpage for the 2022 selections. I’ve replaced eight of my 2021 choices (including Stop Making Sense).
- THE APPOINTMENTS OF DENNIS JENNINGS (Dean Parisot, 1988)
- THE ARGYLE SECRETS (Cy Endfield, 1948)
- ASPARAGUS (Suzan Pitt, 1979)
- BANANAS (Woody Allen, 1971)
- BEAVER TRILOGY (Trent Harris, 2000)
- BEFORE SUNRISE (Richard Linklater, 1994)
- BEST BOY (Ira Wohl, 1979)
- BIGGER THAN LIFE (Nicholas Ray, 1955)
- BLUE COLLAR (Paul Shrader, 1978)
- BLUE VELVET (David Lynch, 1986)
- BOOGIE NIGHTS (Paul Thomas Anderson, 1997)
- BOOMERANG (Reginald Hudlin, 1992)
- BRAZIL (Terry Gilliam, 1985)
- BREWSTER McCLOUD (Robert Altman, 1970)
- THE BROTHER FROM ANOTHER PLANET (John Sayles, 1980)
- BUT I’M A CHEERLEADER (Jamie Babbit, 1999)
- CAPTAINS COURAGEOUS (Victor Fleming, 1937)
- CRUMB (Terry Zwigoff, 1994)
- DEAD MAN (Jim Jarmusch, 1995)
- DESIGN FOR LIVING (Ernst Lubitsch, 1933)
- FILM (Alan Schneider, 1965)
- THE 5000 FINGERS OF DR. T (Roy Rowland, 1953)
- GENTLEMEN PREFER BLONDES (Howard Hawks, 1953)
- GLEN OR GLENDA (Ed Wood, 1953)
- THE GRATEFUL DEAD MOVIE (Jerry Garcia and Leon Gast, 1977)
- HANGIN’ WITH THE HOMEBOYS (Joseph B. Vasquez, 1991)
- THE HELLSTROM CHRONICLE (Walon Green, 1971)
- HOUSE OF GAMES (David Mamet, 1987)
- HOUSEKEEPING (Bill Forsyth, 1987)
- THE KILLING (Stanley Kubrick, 1956)
- THE KING OF COMEDY (Martin Scorsese, 1983)
- LOVE AFFAIR (Leo McCarey, 1939)
- ME AND YOU AND EVERYONE WE KNOW (Miranda July, 2005)
- MIKEY AND NICKY (Elaine May, 1976)
- MODERN ROMANCE (Albert Brooks, 1981)
- PARENTHOOD (Ron Howard, 1989)
- PARIS, TEXAS (Wim Wenders, 1984)
- PETULIA (Richard Lester, 1968)
- PLEASANTVILLE (Garry Ross, 1998)
- PUMP UP THE VOLUME (Allan Moyle, 1990)
- REPO MAN (Alex Cox, 1984)
- ROPE (Alfred Hitchcock, 1948)
- SAVED! (Brian Dannelly, 2004)
- SEVEN CHANCES (Buster Keaton, 1925)
- SPRING NIGHT SUMMER NIGHT (Joseph L. Anderson, 1967)
- TARGETS (Peter Bogdanovich, 1968)
- THERE’S SOMETHING ABOUT MARY (Bobby and Peter Farrelly, 1998)
- WISE BLOOD (John Huston, 1979)
- THE WORLD’S GREATEST SINNER (Timothy Carey, 1962)
- ZORN’S LEMMA (Hollis Frampton, 1970)
The following is the list of 50 films I submitted to the nominations webpage for the 2021 selections.
- THE APPOINTMENTS OF DENNIS JENNINGS (Dean Parisot, 1988)
- THE ARGYLE SECRETS (Cy Endfield, 1948)
- ASPARAGUS (Suzan Pitt, 1979)
- BANANAS (Woody Allen, 1971)
- BEAVER TRILOGY (Trent Harris, 2000)
- BEFORE SUNRISE (Richard Linklater, 1994)
- BIGGER THAN LIFE (Nicholas Ray, 1955)
- BLUE COLLAR (Paul Shrader, 1978)
- BLUE VELVET (David Lynch, 1986)
- BOOGIE NIGHTS (Paul Thomas Anderson, 1997)
- BOOMERANG (Reginald Hudlin, 1992)
- BRAZIL (Terry Gilliam, 1985)
- BREWSTER McCLOUD (Robert Altman, 1970)
- BUT I’M A CHEERLEADER (Jamie Babbit, 1999)
- THE BROTHER FROM ANOTHER PLANET (John Sayles, 1980)
- CAPTAINS COURAGEOUS (Victor Fleming, 1937)
- CRUMB (Terry Zwigoff, 1994)
- DEAD MAN (Jim Jarmusch, 1995)
- DESIGN FOR LIVING (Ernst Lubitsch, 1933)
- FILM (Alan Schneider, 1965)
- THE 5000 FINGERS OF DR. T (Roy Rowland, 1953)
- GENTLEMEN PREFER BLONDES (Howard Hawks, 1953)
- GIMME SHELTER (Albert and David Maysles and Charlotte Zwerin, 1970)
- THE GRATEFUL DEAD MOVIE (Jerry Garcia and Leon Gast, 1977)
- HOUSE OF GAMES (David Mamet, 1987)
- HOUSEKEEPING (Bill Forsyth, 1987)
- I WALKED WITH A ZOMBIE (Jacques Tourneur, 1943)
- KEY LARGO (John Huston, 1948)
- THE KILLING (Stanley Kubrick, 1956)
- THE KING OF COMEDY (Martin Scorsese, 1983)
- LOVE AFFAIR (Leo McCarey, 1939)
- ME AND YOU AND EVERYONE WE KNOW (Miranda July, 2005)
- MIKEY AND NICKY (Elaine May, 1976)
- THE MISFITS (John Huston, 1961)
- MODERN ROMANCE (Albert Brooks, 1981)
- PARENTHOOD (Ron Howard, 1989)
- PARIS, TEXAS (Wim Wenders, 1984)
- PETULIA (Richard Lester, 1968)
- PLEASANTVILLE (Garry Ross, 1998)
- PUMP UP THE VOLUME (Allan Moyle, 1990)
- REPO MAN (Alex Cox, 1984)
- ROPE (Alfred Hitchcock, 1948)
- SCARLET STREET (Fritz Lang, 1945)
- THE SET-UP (Robert Wise, 1949)
- SEVEN CHANCES (Buster Keaton, 1925)
- THE 7TH VICTIM (Mark Robson, 1943)
- STOP MAKING SENSE (Jonathan Demme, 1984) (Added in 2021)
- WISE BLOOD (John Huston, 1979)
- THE WORLD’S GREATEST SINNER (Timothy Carey, 1962)
- ZORN’S LEMMA (Hollis Frampton, 1970)